Peter Greenaway

A short film by Peter Greenaway. It depicts the painting The Wedding Feast at Cana by Paolo Veronese, through mixed media and shows different perspectives.

Documentary explores the life stages of different people.

A remote and wild island on the west coast of Scotland is home to a small group of people that live in deep connection with the land, the sea and the weather. For different reasons, they left their city life to escape their inner demons and to live as eco-friendly and sustainable as possible.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves!  Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

Night falls and the noisy and chaotic population of the city of Rio de Janeiro goes to their homes, preparing for a new day. But while most people sleep, how does the city function? Early morning seems, to unaccustomed eyes, something lonely and even scary. What is life like, then, for those who work and live while the city sleeps?

Filming for this picture took place in Russia over the course of a quarter of a century: in 2000, 2010 and 2022. The film is preceded by an epigraph: “The fate of every person depends on the country where they live, just as the fate of a country depends on its citizens”.