Choi Kyong-Ho

The piece, the artist states, “is like the typical painting lessons of Bob Ross. What I was feeling in the theme of this video is the existential nature of contemporary art (and culture) as well as of artists. A videoart work by South Korean multimedia artist Kim Beom

The funniest thing happened to me the other day...

A dejected homemade robot wanders through a bright and sunny landscape, only to encounter some bad luck.

An experimental re-edit of Jack Frost, starring Michael Keaton.

An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime.

While you wait to hear if they'll pay your claim, there is almost nothing like the silent buzz at the other end of the line.  Or when you say something that requires a response and the world says back, "no worries". There's an art to miscommunication, unthinking, the void, and the customer service call. Phoning it in might just be a necessary part of life.  This rough-edged sketch mixing performance art living and film is a study of the phone call, American doofiness, and blank minds under the reign of the corporate call script. Everyone is impotent in the institutional setting.

A young anonymous office worker in the heart of an unnamed North American megacity takes us through a few fleeting days in her life.

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).