Marta Guerreiro

Peter Castro

Lucia Vicente

Lokas Cruz

A documentary that brings together interviews with 20 activists who address the issue of intersectional feminism and patriarchy in Portugal.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance.  Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

1977: Grêmio lives a dark period in its history, after losing the last eight Campeonato Gaúcho to Internacional. Then there was a crowd that would shake up the structures and prejudices of the universes of the gaucho football and forever mark its name in history: the Coligay, the first organized football group of supporters formed exclusively by homosexuals.

Describing herself as a 'street queen,' Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.

A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.

A passionate group of Australian same-sex ballroom dancers battle homophobia, injury and personal drama as they pursue their dream of competing at the Gay Games in Germany.

Imposed under the British colonial rule in 1860, Section 377 of the Indian Penal Code criminalise any sexual acts between consenting adults of the same sex, stigmatising them as 'against the order of nature'. On July 2, 2009 the Delhi High Court passed a landmark judgment scrapping this clause, thus fulfilling the most basic demand of the Indian LGBTQ community, which had been fighting this law for the past 10 years. Three characters, Beena, Pallav and Abheena travel through the city of Bombay heading to the celebrations for the first anniversary of the historic verdict. '365 without 377' is the story of their journey towards freedom.

At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for "a crash course in manhood," a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months.

The Turkish army considers homosexuality a mental disorder which exonerates young men from military service, but also requires a medical diagnosis to be reached through both psychological and more invasive (and humiliating) diagnostic procedures.’Çürük’ is an intense, entirely anonymous recording of the mortifying procedure used by the Turkish military to make it possible for gay men to exempt themselves from military service. The humiliation includes psychological tests, anal examinations and the photographical proof of gay sex.  The impact on gay men‘s self-esteem becomes more than obvious, when one of the protagonists doubtfully asks: “Do you think I'm a real man?”