Alexander A.

Anastasia A.

Lia Alexandri

Maria Arvaniti

Lea Domninou

A young female reporter has the brilliant idea to create a fake video report on everyday crime, ranging from fights between couples that end with murder, friendships that end up ruined forever, incest, rape, to even drugs and accidental deaths. She finds a friend who is obsessed with his camera and asks him to do the mockumentary for her voluntarily. He agrees and both start recruiting amateur actors, friends and people who like the idea playing in front of the camera. The fake scenes soon become real.

A clickbait journalist is sent to the Appalachian foothills to cover a Bigfoot Convention where he discovers there’s more to this listicle than meets the eye.

A rag-tag team of Reno cops are called in to save the day after a terrorist attack disrupts a national police convention in Miami Beach during spring break. Based on the Comedy Central series.

The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.

An abandoned piece of farmland in rural Tennessee may hold the key to multiple missing person cases spanning over forty years.

In 1994, Romero traveled to Valencia College in Florida to make a short film called Jacaranda Joe. It was a re-imagined version of a movie he'd tried to make in the '70s called The Footage. The film is set on a Geraldo Rivera-like talk show called Remington, on which the sleazy host is discussing footage of a swamp-dwelling bigfoot-like creature that had been captured on video by the TV crew. In the aftermath of that footage getting out, the town of Jacaranda has become overrun by tourists, hunters and filmmakers hoping to find Joe themselves. The talk show panel debates whether Joe is real or a hoax, with a representative of a local Seminole community who claims to have seen Joe also talking about tribal customs and the cruelty and destruction of white American society. The talk show builds to a reveal of the footage of Joe, slowed down to give the audience a better look at the creature. It ends with Remington teasing further discussion and revelations on the rest of the episode.

After moving into a new house, a young woman experiences a terrifying series of encounters with something evil. The whole nightmare is captured on her door camera.

A faux-documentary directed by Brian Kraft, detailing the disappearance of an anti-war activist during his investigations into Dick Cheney.

With the approval & budget given to him by his producer & friend, a director goes on a journey to a park with a small crew to film a bunch of random people about the sightings & belief of possible monsters.