Pierre Arditi

Émilie Caen

François Marthouret

Élisabeth Bourgine

Serge Riaboukine

Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman's daughter, who is at a crossroads in her life.

Documentary film, without commentary, looking at events in Sheffield on 5th September 1973. Steelworkers retire, babies are born, there are fashion shows and council meetings, crashed lorries and policemen on the beat.

In the year 1622, the young Badria is held responsible for the death of the princess after the birth of the royal child and accused of witchcraft. Imprisoned and on trial, she desperately fights to prove her innocence and save her life.

197 AC. War between warlords Cao Cao and Zhang Xiu. Xiangyang prefect Xun Song was besieged by enemy army. His 13-year daughter Xun Guaning broke through the siege and moved troops without fear of danger and helped his father break the siege of Xiangyan.

In Pompeii in the year 79, Lycias and Helen fall in love. Helen's guardian, the high priest of Isis, wants to separate them. To do so, he tries to make Lycias drink a love potion, but a young slave threatens to reveal everything. The high priest, unable to silence her, kills her and arranges to have Lycias accused...

This is a short film that revolves around Kris Wu's single, Eternal Love, which tells the story of three characters: The general who fell in love with the princess who already has a predetermined marriage with the king of the barbarians. Because the general and the barbarian king caused the death of the princess, the heavens decided to curse the two of them and this curse can only be lifted by winning back the princess' love in the modern era.

During China's Tang dynasty the emperor has taken the princess of a neighboring province as his wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years.  Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.