Gabino Rodríguez

Luisa Pardo

Francisco Barreiro

José Rodríguez López

Teresa Sánchez

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

A solitary Frenchman seeks inspiration in a ruined duchy, meeting eccentric figures with their visions of art, madness, and myth. During 15 minutes he wanders across the broken edges of reality and sanity, he questions what form inspiration can still take among fragments of ruins and environment, as the viewer steps into his eyes and ears, discovering beauty within decay.

What is the Art of Living ? A few weeks ago, I asked myself this question, as silly in its formality as it is complicated in its complexity. In this video, I'll try to give you my definition and my vision of what the art of living is !

JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg

One night after a brief 'visit,' Angela prepares to leave Derek's apartment, but he's determined to not let her go so easily. A drama about a common moment in a relationship, 'Close' explores the intense frustration that comes when the person you desire does not see things your way.

Santi, a 17-year-old boy, plays football with his friends at the entrance of the village while Marco, his childhood friend, returns after a two year absence. The last summer Marco was in town, Santi began to feel something towards him. But while living in that cave, the best thing for him to do was to forget about it and focus on building his life based on tradition. The return of Marco throws Santi off, who had finally managed to forget him. Under the conservative gaze of all the people, he will have to fight against his feelings as he considers his identity for the first time.

A social worker recounts the case of Ella Jackson, a girl who sees a man standing behind her in the mirror