Anja Czioska

In this performance film, the filmmaker presents herself as a naked and clothed being who dances to music from the sixties, puts on different outfits and has lots of fun.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

The American woman is the best dressed woman in the world. This is due to Yankee ingeniuty, which makes a fashionable, well-made dress to sell for twenty dollars or less.

It was 24 hours with him. I saw him shake his ass with a friend. Scrubbing tile corners. Have egg salad for lunch. Buy cleaning products. Rehearse in the studio. Playing with children on the grass. In a huge theatre, review texts about scenes of decolonization. Smoke one, or two. Problematizing on the bus. Undressing on the couch in my house. Sleeping without fitting into the bed because you are too tall. I saw the sun bursting on your skin in the morning and said goodbye. I thought a standard session wouldn't encompass the complexity of an intimate recording. So I was his voyeur for 24 hours. Uninterrupted.

A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.

A documentary that explores the dangerous and sometimes deadly world of fake products. An industry that once dealt in imitation designer handbags and shoes has exploded into a global epidemic of counterfeit pharmaceuticals, foods, toys, electronic goods, car parts and microchips. COUNTERFEIT CULTURE challenges consumers to take a deeper look at what appears to be harmless knock-offs at bargain prices.

A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.

The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.