Clara Mingueza

Jordi Valmaña

Jessica Cusano

Xavier Albertí

Josep Cunill

Clara Mingueza, an actress from Barcelona, sets out to move the mortal remains of Elena Jordi (1882-1945), vaudeville star, actress and the first woman director of Spanish cinema, to her hometown, while trying to find a copy of Thaïs, the only film she directed.

Portrait of the Italian sculptor Donatello (1386-1466), a precursor of the High Renaissance who considerably influenced sculptural art with his innovative way of conceiving space. Donatello is already a legend in his own lifetime. The sculptor is the forefather of the High Renaissance and pioneer for artists such as Raphael or Michelangelo. His bronze sculpture of the "David" or the "Pazzi Madonna" in marble are icons of art history and testify to his sculptural power of renewal.

Frans Masereel is one of the most fascinating Belgian artists of the 20th century. His work, essentially composed of black and white engravings, is a cry of rebellion against the tragedies of his time. Forced into exile for his pacifist convictions, he embodied, alongside writers like Stefan Zweig and Romain Rolland, the dream of a cultural and brotherly Europe. Through an imaginary correspondence the director addresses to the artist, the film sketches the portrait of a free, touching man who, throughout his life, attempted to break free of art dealers and put his creations in the hands of all.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on.  Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Al is a young drag king dealing with his transgender identity daily. He tries to express it through his shows and share with us his story, feeling and thoughts about it.

The daily life of Petra, Virginie, and Estelle, three stuntwomen, from the dangerous film sets, where they face all kinds of deadly dangers, to the safety of their homes.

The story of the shooting of Satan's Blood (Escalofrío), a film directed by Carlos Puerto in 1978.