Marepe

Marepe, an artist from Bahia, produces art with anything he comes across in the town he lives in, Santo Antônio de Jesus. Packs of cigarettes, coconut palms, walls, and memories taken from the streets, go into putting together a personal archeology for this young artist.

Portrait of the Italian sculptor Donatello (1386-1466), a precursor of the High Renaissance who considerably influenced sculptural art with his innovative way of conceiving space. Donatello is already a legend in his own lifetime. The sculptor is the forefather of the High Renaissance and pioneer for artists such as Raphael or Michelangelo. His bronze sculpture of the "David" or the "Pazzi Madonna" in marble are icons of art history and testify to his sculptural power of renewal.

Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.

What is the Art of Living ? A few weeks ago, I asked myself this question, as silly in its formality as it is complicated in its complexity. In this video, I'll try to give you my definition and my vision of what the art of living is !

Elliott Erwitt has spent his entire adult life taking photographs, of presidents, popes and movie stars, as well as regular people and their pets. His work is iconic in world culture while his life is largely unknown.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

Fernando Lemo's world is fiercely stripped of any external logic, as Jorge de Sena once said. His artistic gesture blends with his own existence, where the poetic principle comes first. And with the light that insists to come through the half-closed door, the fear of life is vanquished in the battle fought with death. Thus, each word is born within another word and each image within another image. Out of how many knives is love made, the poet wonders?

Maurício Dias & Walter Riedweg often say the streets are their studio. From the observation of them and of those who populate them there arise installations about encounters, identity and territoriality. The Brazilian-born Dias met the Swiss Riedweg in 1993. Together they learned that they could boost one another’s ideas. “This marriage became Mau Wal,” says Dias. In this documentary, they present their works and the many characters behind them: people who make day-to-day living in the big cities. Street vendors at a Northeast Brazilian fair in São Paulo, illegal immigrants in their quest for the European dream, street kids and their memories. In stories or in the role it plays, the human element is always a centerpiece to the duo’s work.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.