The first film by Chantal Akerman, a short silent 8mm film shot during the Brussels summer Midi Fair, that was one of four short films she made as a short of entrance exam at INSAS were she studied for just a couple of months.

Documentary about the reconstruction of Dresden's Semperoper opera house.

One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.

Shot on 16mm and featuring a soundtrack by Toshiya Tsunoda, Luke Fowler's film pays tribute to the French master’s impressionistic approach to light and nature (notably his Mont Sainte-Victoire series) through his own resplendant glimpses of landscapes and people in Southern France.

In Zachary Epcar's fragmentary, soap opera-esque film, lounge music, lamps, coffee pods, and other accoutrements of modern life restage a story of domestic dreams and nightmares.

Turner Prize–winning artist-filmmaker Charlotte Prodger deftly blends the scientific with the diaristic, as the hunt for a rare maned lioness structures a personal reflection on queer desire and mobility.

A generous and lyrical continuation of Lebanese artist Marwa Arsanios’ interest in the ties between ecology, feminism, and collective organization, this documentary showcases the radical politics of a Lebanese farming cooperative and the citizens of Jinwar, a women-only village in the north of Syria.

From the coast of the Atlantic to that of the Mediterranean, the director meets women whose faces recount ruined hopes. Grief finds an element of painful meditation in the movement of the waves.