Christopher Newhook

Kevin Noseworthy

Tom O’Keefe

Amidst a mostly Catholic community, a small tiny Anglican church offers more to the community of Placentia than people may think, and holds many connections and history to the rest of the world.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people.  Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of  Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns.  The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

Forty four years ago, it seemed like a good idea to build a squat, concrete motel in downtown Columbia, Missouri. But within a few years, guests were calling for a do-over. Now, with the downtrodden building’s fate sealed, the Rabid Hands artist collective arrives on the scene as hospice workers, assisting in the passing of the building’s soul. What ensues is a New Orleans-style voodoo celebration of a previously unsung piece of architecture.

A documentary that explores the myth behind the truth. Different people around the globe reinterpret the legend of Che Guevara at will: from the rebel living in Hong Kong fighting Chinese domination, to the German neonazi preaching revolution and the Castro-hating Cuban. Their testimonies prove that the Argentinian revolutionary's historical impact reverberates still. But like with all legends, each sees what he will, in often contradictory perspectives.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

When Thomas Jefferson died in 1826, he left behind a mountain of personal debt, which forced his heirs to sell his beloved Monticello home and all of its possessions. The Levys of Monticello is a documentary film that tells the little-known story of the Levy family, which owned and carefully preserved Monticello for nearly a century – far longer than Jefferson or his descendants. The remarkable story of the Levy family also intersects with the rise of antisemitism that runs throughout the course of American history.

The Seljuk Empire has expanded, and taken over “the Holy Land”. Pope Gregory VIII gets together a band of valorous warriors from across Europe to defeat Saladin.

A Blustery winter's night - a warm trapper's cabin up ahead. The dark, cold woods might prove safer lodging. A true story from Cow Head Newfoundland 1809.

From May 10, 1940, France is living one of the worst tragedies of it history. In a few weeks, the country folds, and then collapsed in facing the attack of the Nazi Germany. On June 1940, each day is a tragedy. For the first time, thanks to historic revelations, and to numerous never seen before images and documents and reenacted situations of the time, this film recounts the incredible stories of those men and women trapped in the torment of this great chaos.