Mohamed Ashareh

Exposing piracy in Somalia from the inside out, The Pirates Tapes follows Mohamed Ashareh, a young Somali-Canadian, as he travels to Somalia in hopes of joining an active pirate cell. Armed only with a hidden camera, Mohamed works his way into a cell run by a ruthless warlord, Jama Donyal, and is assigned to his first hijacking mission. When things take an unexpected turn, Mohamed finds himself on the run from the law with the danger of execution looming.

When Finnish-Somalian Mustafe discovers his ancestors’ land in the horn of Africa is full of copper and gold, he decides to swap his family’s safe but boring life in the Nordics for Somaliland, a self-declared state in East Africa. As Mustafe struggles to lift the treasures from underground, his children embark on a bumpy journey to uncover where they really belong.

The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.

It explores how the seafaring brigands of early modern Europe invented or honed asymmetric naval warfare and new forms of democracy: how they developed social welfare programs, such as pooled funds from which to compensate wounded pirates for lost eyes and limbs: and even how they faced off against the navies of empires.

Documentary telling the story of the piracy explosion, with unique access to the coastal towns of war-torn Somalia, the boardrooms of the City of London, the operation hubs on board warships in the Gulf of Aden and the heartbreak of a hostage situation gone wrong. (Storyville)

In this epistolary film, the traveler gives us his impressions of Africa parallel to the expression of his amorous distress. The images of the present intertwine with the incessant echoes of lost love, combining intimate pain with the misery of a country torn apart by internal struggles and poverty.

The story of the birth of the Hungarian home computer scene back in the '80s behind the Iron Curtain. Smuggled in C64s, cracked games, swappers, diskmags, hacked phone lines to American BBS servers, demoscene, copy parties.

Here in Toronto, four young Somali refugees are finishing high school. What did they bring with them? What did they find in Canada? Their testimonies, about us and about themselves, interspersed with newsreel footage and sequences of a theatrical creation in which they put all their soul, make them immediately endearing and overturn many prejudices held against refugees. A film that makes you want to get to know them better.

These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?