Margit Lindeman

Ulf Törnroth

The first part of the Emilia animation series. Emilia lives in an apple tree forest. There, together with the other residents, she cooks apple jam. Everything goes smoothly until factory owners arrive and start making apple jam in their factories.

Apple Gatherers follows two workers in an apple cider factory, the Peeler and the Shoveller. The film explores the loneliness and dissatisfaction of their labour-intensive world and the brief reprieve they find in moments of real human connection.

Cao Fei explores a virtual metropolis within the online platform Second Life. The work blends real and fictional elements of Chinese identity and urbanism to comment on capitalism and development in the aftermath of the global financial crisis. Marxist iconography intersects with modern corporate structures, creating a dystopian yet whimsical reflection on 21st-century economic realities.

Animated propaganda advocating for the importance of unregulated capitalism to the American way of life.

When a ship sinks during a storm, a slave from the industrial island of Plutonia is washed up on the beaches of paradise island Melonia, where the "all-powerful" wizard Prospero and his strange friends reside.

Part two of the Emilia animation series. The twins get a ship to play with in the bathtub. But it's no ordinary ship, because you can sail along a large lake with strange foam islands and dirty water.

Part five of the Emilia animation series. Emilia lives at home with her dog Oskari. One night they see a strange light phenomenon in the sky. Oskari thinks it's luck and they go in search of it.

Part four in the Emilia animation series. King Oskar rules his little kingdom, which is an island in the sea. After the king falls ill, people at first wonder how they will get along without Oskar. But then they start to listen to themselves, obey themselves and come up with a lot of new things.

Part six of the Emilia animation series. Once upon a time there was a boy whose fifth birthday was coming up. Most of all, Oskari wanted a doll, but he couldn't have it. When he grew up, he met a girl who looked exactly like the doll he had wanted.