Kristian Day

The Iowa State Fair draws millions of people to the city of Des Moines every year. However, this film is not about the Iowa State Fair or the people who attend. It's about where they park their cars.  Inspired by the classic documentary, "Heavy Metal Parking Lot".

State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.

Less than a century ago, there was an area in the Midwest that resembled the swamplands of Florida's Everglades. Sometimes called the "Everglades of the North", The Grand Kankakee Marsh once saturated nearly a million acres in Northern Indiana and a portion of Illinois. Everglades of the North: The Story of the Grand Kankakee Marsh, reveals the diverse ecology, illustrates the astonishing history, and explores the controversial saga of the Grand Kankakee Marsh in how people have used and perceived this wetland for more than 10,000 years.

Despite Blacks making up only 7% of Madison WI's population, they are leading in so many important areas from education to politics, and are launching so many multi-million dollar projects that people describe this period as a "Black Renaissance."

The annual mop fair in Stratford-Upon-Avon, including the roasting of an ox.

Jeff Towne revisited four years after the release of the original film.

Early film footage of fun fair workers and revelers at Devil's Dyke on the South Downs, taken by pioneer James Williamson in around 1896. At a fair at Devil's Dyke, boys scrap beside wooden swing boats. Others, wearing dark suits, watch chains and caps, stretch up to push one of the swing boats. The boys are aware of the camera, which films them from a fixed position. A couple swing sticks in the air, playing up to the camera while the boys work. At the merry-go-round, two women stand in the foreground. They wear shirts with full pleated sleeves and boaters. Other visitors to the fair pass by the camera, including a man with a pipe and a woman with a wide cloak. Young visitors ride on a track, the South Downs in view behind. They cycle, turning a wheel in front of them. An open-top carriage rides away from the camera and back again along a switchback railway, driven by a worker who jumps on and off.

The ornate pavilions of cinematographs, boxing booths and menageries at Hull Fair.

The first film by Chantal Akerman, a short silent 8mm film shot during the Brussels summer Midi Fair, that was one of four short films she made as a short of entrance exam at INSAS were she studied for just a couple of months.