James Anthony Bearden

Joy Daley

Brittany Huenecke

An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.

Documentary filmmaker Renton Hinderer takes a look back at his long relationship with one of his closest friends to understand the paths we choose in life, and how friendship is eternal through it all.

State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.

This documentary features a kinetic artist who creates vibrant mixed media works that push the boundary between 2D and 3D.

Florent Tillon takes an anthropological lens to Las Vegas, Nevada. What he finds is some curious new species of Americana.  (Dorothy Woodend, DOXA Documentary Film Festival)

The sculptor and painter Agueda Lozano narrates the first contacts with plastic art that she had in her native Ciudad Cuauhtémoc, Chihuahua; her stay in France and how was her arrival in Europe; her return to Mexico, and her participation in important exhibitions and sculpture projects, among which the definitive insertion sculpture that she inaugurated in the Plaza de México in Paris stands out. Likewise, she talks about her works in the Payment in Kind Collection, about the characters that promoted and inspired her in her career, and about her aesthetic proposals and creation techniques.

Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.

Depicting the biography of a corrupt banker poses a cinematic dilemma. How can the intentions of an individual systematic contexts and historical eventualities be brought into harmony? Thomas Furhapters nearly one hour film Michael Berger Eine Hysterie turns this problem outward by not covering up the moment of speculation. The subject of the film, Austrian investment banker Michael Berger, who became a dollar millionaire through a risky hedge fund, remains a chimera an absent individual who also cannot be captured through his crime.

Within photographs that are not their own, a body discovers it has always been part of another.