Peter Ustinov

Jürgen Thormann

Uta Hallant

Thomas Holländer

Verena Wengler

After the experience in the War of Independence, Luka Gavez returns to his old job, reselling works of art and antiques. He is very successful in these actions, collaborating with a retired actress. However, when given the opportunity for a “big hit”, Luka does not resist the temptation.

After constantly moving, two students finally find the opportunity to start a family by adopting a stray dog.

Glenn is a disillusioned piano teacher, who once aspired to be a concert pianist. He is moving back to his parents house and is on the brink of giving up the piano for good when Kilov, a Russian gangster, offers him a unique opportunity: £10,000 if Glenn teaches his daughter Beethoven's "Fur Elise"... in a day.

Recording of the Berlin Philharmonic Orchestra conducted by Herbert von Karajan playing Beethoven's 7th Symphony.

Recording of the Berlin Philharmonic Orchestra conducted by Herbert von Karajan playing Beethoven's 8th Symphony.

In this recording, seven-time GRAMMY® Award-winning pianist and conductor Daniel Barenboim tackles the so-called 'New Testament' of music, Ludwig van Beethoven's thirty-two piano sonatas, composed over twenty-five years and embodying the shift of musical taste from the Classic to the Romantic, their performance requires a musician of extraordinary versatility. Daniel Barenboim is one such pianist his recordings run the gamut from Bach and Mozart to Bruckner and Bartók.

If Daniel Barenboim is not the world's greatest living classical musician he is certainly the most versatile. In a career spanning more than 50 years, his name is attached to many of the celebrated recordings of opera, symphony, small ensemble and piano solo. With the later half of his career marked by distinction at the podium, one may forget that he is still an accomplished concert pianist. Here we are treated to both talents as Barenboim conducts the Staatskapelle Berlin and plays all five of Beethoven's piano concerti. From the accompanying booklet we find that Barenboim first recorded these works in 1967 at the age of 24 under Otto Klemperer. Now he is revisiting them 40 years later on the occasion of his 65th birthday.

Can a work of art remain relevant 200 years after its creation? Ludwig van Beethoven’s last completed symphony proves it’s possible.