Lillebjørn Nilsen

A documentary portraying the life of Norwegian folk singer Lillebjørn Nilsen.  Lillebjørn's talent brought him into the limelight as a shy 15-year-old. This is his own story about music, fame and an eternal longing for peace.

In March 2005, Neil Young was diagnosed with a brain aneurysm. Four days before he was scheduled for a lifesaving operation, he headed to Nashville, where he wrote and recorded the country folk album Prairie Wind with old friends and family members. After the successful operation and recovery period, he returned to Nashville that August to play at the famed Ryman Auditorium, once again gathering together friends and family for this special performance.

The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.

In this interview, conducted for the Criterion Collection in 2014, Elijah Wald, who collaborated with folksinger Dave Van Ronk on his memoir, The Mayor of MacDougal Street, discusses the people and places central to New York's Greenwich Village folk scene of the late fifties and early sixties - a scene transformed by the arrival of Bob Dylan.

Three eclectic, never-quite-famous folk bands come together for the first time in decades following the death of their manager to put on an reunion concert in his honor, at the request of his son.

Pop sensations the Lovin' Spoonful perform their biggest hits in this collection of television appearances from the 1960s and '70s. Lead singer and songwriter John Sebastian discusses the band, their music and their legacy. Songs include "Summer in the City," "She's Still a Mystery," "Nashville Cats," the hit theme to the sitcom "Welcome Back, Kotter," "Did You Ever Have to Make Up Your Mind?" and "Do You Believe in Magic?"

Every year in June, the small Bulgarian village of Balgari celebrates  St Constantine with a special ritual.  Initiated ‘nestinari’ go into a music-induced trance and dance on bonfires in a display of religious passion.

A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”