Azzedine Alaïa

Joe McKenna

Joe McKenna is one of the most influential stylists in the world. From the beginning of the 1980s, he struck up a great friendship with Azzedine Alaïa, and they continued to work together for many years. Thanks to their mutual understanding and trust, Joe McKenna was able to obtain the rare privilege of entering the studio and the couturier’s workshops with his camera. He paints an intimate and endearing portrait of Alaïa, punctuated by interviews with Nicolas Ghesquiere, Carlyne Cerf, Naomi Campbell and Grace Coddington, among others

The portrait of a young bakery worker in Swabia. A vague desire for something else lurks between her sentences and the images of her everyday life.

A report on the Film Academy in Ulm, Germany

The world’s biggest fish market is to make room for a highway during the Olympic Games 2020 in Tokyo.  After more than 80 years in daily business, the relocation of over 14,000 dealers is a turning point. Especially for old-established dealers this step is not easy. Within four days, all dealers, souvenir and shoe shops, restaurants and service providers such as knife sharpeners are to be relocated to the new location on an artificial island. The closure of Tsukiji is a step towards modern digital real-time trading and we are the only foreign reporter with exclusive access to accompany this adventurous relocation.

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).

A documentary following an ancient Jinn called Mother of Fire and her ruminations on the history of the UAE, colonial meddling and contemporary Eurocentric museum display practice.

A popular actress, Anny Duperey lived a precarious life for many years until she found a place to settle down in Creuse. It is there that she keeps her photos, writes, and recharges her batteries. In this portrait, she breaks with convention by playing with her image and openly questioning the desires of an actress as her career is revisited.