Julian Velez

Marat Shad

Huston Pigford

Three guys working the graveyard shift around a deserted urban college campus try to make it through a long and lonely night on the job.

Valentino wanders through the city like an apparition, ensnared in the liminal space between nostalgia and departure. His camera fragments reality into vestiges of a nation that still lays claim to him. Spaces where memory murmurs unfulfilled promises. In a discourse that transcends mere conversation, words entwine with eloquent silences and in that fleeting exchange, the inevitable emerges: farewells foretold, inscribed before they are ever uttered.

One morning in the early 90s, florist Ádina performs domestic tasks after apparent disagreements with her husband, Ivo.

Four people are sitting in a library, drinking wine and reading. Sometimes they talk a little.

Sachi quits her job at a museum, starts working part-time at a café, and moves into an apartment recommended by a regular customer. Although she has started a new life, Sachi is still haunted by the memory of her partner whom she will never see again.

One day, a man films himself killing his dog with his bare hands and posts the video on the Internet.  One night, Ethan watches the video and sets out to find the man and the behind-the-scenes story behind the dog video.

Five months after the maternal death of his partner, a man is at a crossroads with how to raise their baby.