Olivia Rodrigo

Dan Nigro

Bryn Bliska

Elizabeth Gaba

Julia Gartha

Olivia Rodrigo performed at a surprise show at the Ace Theatre in Downtown Los Angeles on October 9th, 2023. For this intimate, stripped down performance, she played most of the songs from her about to be released album, "GUTS".

45 minutes of select footage from 2007 to 2011 made for our fans by our fans.

Recorded live at Andy's Bar in Denton, TX on March 31st, 2012.

Over an hour of live HD footage and behind the scenes footage from our live DVD recording at the Machine Shop on December 17th, 2011.

S&M2, the live concert film from Metallica and the San Francisco Symphony is the concert event of the year!  S&M2 features 20 songs from the two-night event that opened San Francisco’s new Chase Center, with many Metallica fan favourites and two unique classical songs chosen by San Francisco Symphony Musical Director, Michael Tilson Thomas.  S&M2 is newly re-edited by the band, with re-mixed and remastered audio, for a whole new look and sound from the original theatrical run in October 2019.

A celebration of The Cure. Robert Smith's unique songwriting talents meant that The Cure's long list of singles were always destined to break out of tortured students bedrooms and be embraced by a far wider audience.  This archive collection of The Cure's performances on the BBC goes from the early days with A Forest through to hits like Lovecats, Friday I'm In Love, Close To Me and Boys Don't Cry, demonstrating why, in Britain and overseas, they enjoyed – or pretended not to enjoy – such huge success.

Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.

Kendrick Lamar is back and performing live from Paris. Inspired by Lamar’s critically-acclaimed latest album, The Big Steppers Tour is not to be missed.

In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask