Mattia Arcangelo Teofilo

A young man, convicted murderer, has a chance of redemption when he enters the best Italian university of economics, going back and forth from prison to university every day.

In the late 1960s, with the triumph of bilingualism and biculturalism, New Brunswick's Université de Moncton became the setting for the awakening of Acadian nationalism after centuries of defeatism and resignation. Although 40% of the province's population spoke French, they had been unable to make their voices heard. The movement started with students-sit-ins, demonstrations against Parliament, run-ins with the police - and soon spread to a majority of Acadians. The film captures the behind-the-scenes action and the students' determination to bring about change. An invaluable document of the rebirth of a people.

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

Retrospective documentary on the making of the low-budget horror film Prison (1987)

From its beginning during the Reagan years through current times, the War on Drugs has left many victims stranded in the prison system. PRISONERS OF THE WAR ON DRUGS reveals life behind bars in the nation’s prisons. Each prisoner has his or her own story, but for most, the story is predictably similar; they have been criminalized for drugs or drug related offenses, locked up with easy access to substances, and given little opportunity for rehabilitation.  This film provides an inside look at the prison system, its prisoners and a war on drugs we do not seem to be winning.

Insein Rhythm portrays the sights, sounds and rhythms of Yangon’s Insein train station which is also a stone’s throw away from the country’s infamous Insein prison.

In 2020 the Hungarian government announced the change of ownership at nine state universities in order to make them maintained by foundations. The so-called “restructuring” comprised the imposition of a board of trustees over the universities, the members of which being loyal supporters of the government holding stable positions in its economic halo. Only one of the nine institutions protested against the forced political takeover of the University of Theatre and Film Arts (SZFE). Our film presents one of the stories of the university blockade.