Romain Duris

Jean-Paul Belmondo

Géraldine Pailhas

Julie Depardieu

Emmanuelle Devos

Arthur is invited to a New Year's Eve party to celebrate the year 2000. His girlfriend Lucie would like a baby from him but he refuses. Through the ceiling of the toilets, he discovers a passage leading to this futurist Paris. There, he meets an old man Ako who affirms he is his son and that he wants to exist. Otherwise he will vanish into the air. Arthur is still hesitant because his life is an unfulfilled one: a has a little lucrative job, is uncertain about his future and things are getting out of hand when Ako discovers the passage and interferes in the party.

Frau Emma Küsters prepares dinner late one seemingly-ordinary afternoon in her seemingly-ordinary Frankfurt kitchen. She wants to add canned sausages to the stew; her irritating daughter-in-law thinks otherwise. But the point is moot: Ernst Küsters has not only murdered the personnel director at the soap factory where he's employed but succeeded that by committing suicide.

While Mixel tries the best he can to help along with Martin's parents, Charlène and Martin have escaped the flames and appeared somewhen else, where twists and turns won't end. Why is everything happening? To find that out... they must go Back to the Toaster!

An immense love, a car accident that takes away the great love of your life, a dark life full of pain, then suddenly a return to the past and the chance to bring your loved one back to life...

Apple Annie is an aging New York City fruit seller whose daughter Louise has been raised in a Spanish convent since she was an infant. As she grows up, Louise is led to believe that her mother is a society matron called Mrs. E. Worthington Manville. Annie worries that her lie is in danger of being uncovered when she learns that Louise is sailing to New York with her new fiancé and his nobleman father.

A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.

The re-enactment of the long dress (ao dai) era in 1960s, Saogon, thought to be the heyday of traditional Vietnamese costumes. Interwoven into that transformation in fashion and style of the ao dai in modern times told through the story of the character of Ba. Audiences will also see somewhere the image of the 60s, 70s full of honest women. An image of Saigon in the past, gentle and steeped in contrast to the rush of a dynamic city will be described by fashion, namely long dress - traditional costumes in Vietnam. All of them are cleverly nested in the story between two families, between mothers and their children, between a tailor and a fabric shop filled with dramatic rage.

Story of Cam Calloway and his family, who live in a densely wooded area in New England. Cam dreams of building a sanctuary for the geese that fly over the area each year, and he tries several schemes to buy a nearby lake for this santuary. He is thwarted at every attempt, it seems; he and his son try to get enough furs from their trapping venture to get the money, but the bottom falls out of the fur market. He uses the little money they get for a down payment on the lake, thereby losing their house when he can't make the mortgage payment. They move to the lake, where their friends help them build a cabin. A salesman stops in town, and tries to get the people to sell their land for a tourist venture; Cam is outraged at his tactics and takes desperate measures after he himself is tricked.