This documentary juxtaposes scenes of El Salvador's opposition factions, including U.S. government advisors and government troops, and guerrillas and their sympathizers.

Working from archives of private film footage from a trip to India by the upper class of the late 1920s, a period of strong anti-colonial outbreak, Yervant Gianikian and Angela Ricci Lucchi deconstruct the images and analyze the attitude and behavior of Westerners in the East.

A meditation on the intersection of Afro-Caribbean and Indigenous American existence.

The war in El Salvador was the most cruel and bloody Latin America has ever seen. During that time of turmoil Latin American bishops created the famous preferential option for the poor, demanding justice, food and education in the name of the gospel. Using interviews and old footage, the film follows the civil war and the role of the Church in it. In 1977, after the murder of Father Rutilio Grande, the Archbishop Oscar Romero took a strong anti government position, broadcasting sermons over Radio Luz demanding that the government stop the repression. He could not understand why he was thought to be a follower of Karl Marx, when he knew "he followed only Jesus Christ." An inspiring film about people of faith who stood up against injustice.

The Heroes of the Massacre River is a powerful documentary that chronicles the stories of the pioneers behind the construction of the historic Canal of Ouanaminthe, a project that united Haitians across the nation and the diaspora. This film celebrates the groundbreaking efforts of key figures, centering on Dr. Bertrhude Albert, Dr. Naismy-Mary Fleurant, architect Wideline Pierre, economist Etzer Emile as well as dedicated canal workers Milourie Sylfrard, Theodore Johnson and Joseph Pressoir — all guided by the investigative journey of Max Angie Clervil. It also serves as a commentary on the complexity of colonialism and borders, tracing the role that the Massacre River continues to play in the history of Ayiti.

Using obscure archival footage, animated illustrations and interviews, this film tells the story of the Vietnam War from the perspective of five Vietcong veterans: a soldier, an officer, an informant, a guerilla, a My Lai survivor, and the leader of the Long Hair army.

When the Nuxalk trace the vanished ooligan to a land claim filed the very day smallpox arrived, their radio station becomes courtroom, confessional and conjuring ground; an older law insists: the fish return when the people do.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.