Olga Peretyatko

Marko Mimica

Sofia Soloviyová

Celso Albelo

Around 1536, at Windsor Castle, King Henry VIII of England fell in love with the young queen's lady-in-waiting, Jane Seymour. In order to free himself from his marriage to Anne Boleyn, the monarch decided to recall Anne's former lover, Lord Percy, from exile, as he still loved the queen. Both were unjustly sentenced to be beheaded for alleged adultery. The outcast Anne Boleyn spends her last moments in the Tower of London, from where she is led directly to the execution site...

Known for his mournful "Adagio for Strings," Samuel Barber was never quite fashionable. This acclaimed film is a probing exploration of his music and melancholia. Performance, oral history, musicology, and biography combine to explore the life and music of one of America’s greatest composers. Features Thomas Hampson, Leonard Slatkin, Marin Alsop and many more of the world's leading experts on Barber's music, with tributes from composers Leonard Bernstein, Aaron Copland, Virgil Thomson and William Schuman. The film was broadcast on PBS, and screened at nine film festivals internationally, with three best-of awards. It was named a Recording of the Year 2017 by MusicWeb International.

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

Sir Simon Rattle, the Berliner Philharmoniker and the Rundfunkchor Berlin give an impeccable performance of the powerful biblical oratorio “The Gospel According to the Other Mary” by John Adams, one of the most renowned contemporary composers. The sophisticated score with a libretto by acclaimed theatre director Peter Sellars comes to life thanks to the Berliner Philharmoniker, whose intimate knowledge of Adams’s music stems from the composer himself: He attended the orchestra’s rehearsals. In the role of the Evangelist, Bubeck, Cummings and Medley lead through the narrative. A stunning highlight is Lazarus’s aria, sung by tenor Peter Hoare. But at the heart of the piece are Mary Magdalene and her sister Martha during the last days before Jesus’s death, impressively performed by mezzo-sopranos Kelley O’Connor and Tamara Mumford.

A brilliant performance of Schönberg's monumental work at the Prague State Opera. Arnold Schönberg composed Gurre-Lieder to a text by J. P. Jacobsen about the tragic love of the Danish king Waldemar and his mistress Tove Lille, who was murdered out of jealousy by Queen Helviga. He orchestrated the composition for a monumental orchestral and vocal ensemble: five vocal solos, a narrator, a male and mixed choir, and a huge orchestra comprising 25 woodwind instruments, 25 brass instruments, four harps, a celesta, 16 different percussion instruments (including iron chains), and an exceptionally large string section. Every performance of this masterpiece, composed down to the last detail, is truly an overwhelming experience. SOČR chief conductor Petr Popelka seized this unique opportunity, as at the time of the performance of Songs he was also chief conductor of the Norwegian Radio Orchestra, and in this unique project he brought together the two ensembles entrusted to him.

A concert performance of the most famous parts of Dvořák's opera Rusalka in the park of Liteň Castle, directed by the Caban brothers with multimedia elements and original choreography... The year 2021 marks an important milestone in the history of Dvořák's opera Rusalka, which premiered in 1901, 120 years ago. At the same time, the non-profit organization Liteň Castle and the Jarmila Novotná Festival are celebrating ten years of activity. Its mission is to popularize the name of the legendary diva, actress, patriot, and important personality Jarmila Novotná and to care for the cultural monuments on the grounds of Liteň Castle—and on the occasion of both anniversaries, it did so with an extraordinary performance of the opera Rusalka in the picturesque surroundings and magical summer atmosphere of Liteň Castle.

This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.