Claude Barras

A short behind the scenes documentary showing the creation of the short claymation film The Genie in a Ravioli Can (Le génie de la boîte de raviolis).

This family story contains a private reading of ten years in the history of Spain, from the birth of two brothers of the author until the death of the Spanish dictator in 1975.

Insights into the automobile production line at Studebaker.

Arvitarniit is a series of short videos presenting the journeys of inspiring post-secondary students from Nunavik. In this clip, we invite you to meet Louisa Papigatuk Argun, from Salluit.

Efil Cisó, young heir to the prestigious family of Bouclette’s barbers decides that he doesn’t want to continue with the family tradition and wants to pursue his dream of being a baker.

Most of us think of death as something clear-cut, and that medical science has it neatly figured out. This feature documentary explodes such assumptions through its exploration of a phenomenon that blurs life and death to an unprecedented degree.  In what Tibetan Buddhists call tukdam, advanced meditators die in a consciously controlled manner. Though dead according to our biomedical standards, they often stay sitting upright in meditation; remarkably, their bodies remain fresh and lifelike, without signs of decay for days, sometimes weeks after clinical death.  Following ground-breaking scientific research into tukdam and taking us into intimate death stories of Tibetan meditators, the film juxtaposes scientific and Tibetan perspectives as it tries to unravel the mystery of tukdam.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on.  Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

In Presidio, Texas, it is customary to hear Norteña music, typically Mexican, in the bars of the city. John Ferguson, american, governs the 4,426 inhabitants of the small town, is the principal of the city high school. As mariachi, John and Mariachi Santa Cruz also play in nearby Ojinaga, Mexico, distant the Rio Grande river from Presidio. The need to understand the history that binds Mexico to the United States, during one of the periods where the thread that weaves them seems to have become tangled. Viva Presidio! tells the story of a man whose ethnicity represents 2% of the population who voted to elect him, of the affection for his city and of the walls and customs in a reality where, the real cultural accents,represent an element of union between two communities in conflict today.