Marisa Llull

Augusto M. Torres makes a tour of images in honor of the CIRCUS THEATER of Orihuela.

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

A small exploration in the cemetery from the township of Sainte-Colombe throught a focus into the light, graveyards, flaggings and funerary plaques.

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.

Discover the untold stories of D-Day from the men, women and children who lived through German occupation and Allied liberation of Normandy, France. Powerful and deeply personal, THE GIRL WHO WORE FREEDOM tells the stories of an America that lived its values, instilling pride in a country that's in danger of becoming a relic of the past.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.