William Mitchell

Parker Liberatore

Cayden Coker

A random librarian is pulled into a multiversal conundrum in this prequel to Tethered (2020).

Pollini plays flawlessly, with the greatest finesse and sensitivity, very much in tune with each composer's personal style. His performances are exemplary in every respect. The video and audio are quite acceptable, given their 1970s vintage. Böhm and Abbado are at home in this repertoire, and the Wiener Philharmoniker in excellent form, notwithstanding a few strange noises coming from the horns.

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

The Third Part of the Third Measure creates an encounter with the militant minimalism of black avant-garde queer composer, pianist and vocalist Julius Eastman. The film focuses on what The Otolith Group describe as ‘an experience of watching in the key of listening’, invoking political feelings of defiance and the collective practice of movement building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as ‘full of honour, integrity and boundless courage’.

A washed-up '80s pop star gets a chance at a comeback when reigning pop diva Cora Corman invites him to write & record a duet with her, but there's a problem--Alex hasn't written a song in years; he's never written lyrics and he has to come up with a hit in a matter of days.

Emil Gilels is well known as a Beethoven interpreter. His approach is characterized by a full bodied sound throughout a wide dynamic range, complete virtuosity and a structural sense that gives clarity to both local and global musical events.  His tempo choices make sense within a complete movement or entire sonata (he doesn't need to slow down dramatically for the second subject in Op.53's first movement) and he will mostly maintain a tempo with only slight fluctuations.

Released especially for Halloween, this video intended for an international audience of all ages will entertain you. Discover one of the most popular slashers playing on the piano 13 songs related to the Halloween theme in less than a minute and a half.

Ben, Gwen, and Max must stop an extraterrestrial who plans to open a gateway that leads to an alien invasion.

Under the guidance of famed American composer and conductor Leonard Bernstein, Polish classical pianist Krystian Zimerman and the Vienna Philharmonic deliver a rousing performance of Ludwig van Beethoven's Piano Concertos nos. 3, 4 and 5. Premiered in 1808, Beethoven's fourth concerto marked the last time the composer would take the stage as a soloist with an orchestra.