Joanne Martin

Stephanie Lewis

Jessica Duncan

Fay Stamm-Nichols

Joe Zerbolio

A septuagenarian woman from St. Louis, Missouri has been a miniaturist, businesswoman, museum president, Girl Scout leader, teacher, student, mother, daughter, and most of all, an indomitable human spirit. Life is what you make it.

A poignant and humorous film telling the life story of the hugely popular author of the discworld series of books, in his own words.

Curator Robert Storr takes us through the 2002 MoMA Gerhard Richter retrospective.

An Documentary showned only in Carlos Relvas's photography studio, showing his live story and work.

Fifteen naturally mummified bodies were found during the excavations of 2011 in the old church of El Piquete, —a building that suffered almost total devastation as a consequence for being a refuge for civilians during the Spanish Civil War—, this discovery allowed the creation of the Museum of the Mummies of Quinto where this collection with unique characteristics in Spain is exhibited thanks to the research of historians, scientists, bio anthropologists and archaeologists.

Leaving Tracks tells the intimate and compelling story of the founder of the Haas Moto Museum, and his immense impact on the lives of the custom builders whose masterpieces elevate the Museum to the pinnacle of its industry.

The multi-talented outsider artist Richard McMahan is on a quest to painstakingly re-create thousands of famous and not-so-famous paintings and artifacts–in miniature.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.