Mona Guyard

Buba Sababa

Julietta Ladoll

Mona is a 22 year old trans girl from a small village in France. She puts needles attached to peacock feathers in her skin, under bright lights, late at night. She bleeds, half naked, in front of small crowds of people. Sometimes they faint whilst watching her. Why would she do this? How did she learn to do it? And why would someone want to watch?

Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.

In the summer of 2008, Enzo travels to Berlin to work on a creative documentary and find a former lover.

A young group of actors are preparing an updated version of Shakespeare's ROMEO & JULIET. Two boys perform the central roles - both of them struggling with their own questions of love alongside their roles on stage. And as rehearsals begin, reality soon starts to interfere with the play.

Robert Oppel's documentary about the life and murder of his uncle and namesake, Robert Opel, the man who streaked the Academy Awards in 1974.

A documentary that brings together voices of clergy and laypeople who question the Church and society about the meaning of faith today—touching on the body, emotions, sexuality, and relationships—finding in the city the concrete, everyday place where faith is embodied. The documentary explores the beauty of contrast through life testimonies that foster listening and dialogue, opening a space where people feel welcomed and can be reborn. A collective reflection on the incarnate love of the Gospel, the beauty of relationships, and the complexity of a Church that wants—or should want—to truly be a home for everyone.

It was 24 hours with him. I saw him shake his ass with a friend. Scrubbing tile corners. Have egg salad for lunch. Buy cleaning products. Rehearse in the studio. Playing with children on the grass. In a huge theatre, review texts about scenes of decolonization. Smoke one, or two. Problematizing on the bus. Undressing on the couch in my house. Sleeping without fitting into the bed because you are too tall. I saw the sun bursting on your skin in the morning and said goodbye. I thought a standard session wouldn't encompass the complexity of an intimate recording. So I was his voyeur for 24 hours. Uninterrupted.

A small exploration in the cemetery from the township of Sainte-Colombe throught a focus into the light, graveyards, flaggings and funerary plaques.