Johanne Roussy

Joséphine Bacon

Le serment d’Hippocrate follows the struggle of four immigrant doctors trying to find their place in the Quebec healthcare system. This film puts faces to the lives, journeys, and struggles of these unsung heroes who, nevertheless, had also taken the august Hippocratic Oath in their distant countries.

In 1974 a group of Mohawk Indians occupied a defunct girls camp in New York's Adirondack mountains and established a community they called Ganienkeh. Aiming to practice a more traditional lifestyle, and asserting aboriginal title to the land, they stayed for three years, having occasional violent clashes with the local residents. In 1977 they negotiated a (somewhat complicated) land swap with the State, and agreed to move to a permanent home near Plattsburgh, New York, where they remain today. Ganienkeh is one of the only examples of an indigenous people successfully reclaiming land from the United States, but it may not be the last.

From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.

In 1995, the Chilean state made a grave mistake when it detained Marcelina (68), an Indigenous spiritual authority, a machi of the Mapuche people. The police stripped her of her jewelry and traditional clothing and sent her to a men’s prison despite her identifying as a woman. She was unjustly accused of murdering a patient through witchcraft, triggering feelings that led her to leave her community, even after her innocence was proven. Thirty years later, Cons (34) delves into her story—into a world foreign to her—confronting lessons and prejudices she had never known.

Since colonial times, the indigenous people of the Andean mountains have ascended to peaks that reach 5,200 meters above sea level. There, they crush gigantic blocks of ice that carry on their backs to sell them later in the fairs of Riobamba and Guaranda. The film shows the living conditions of the communities that live from this activity.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.