Robert McNamara

Errol Morris

Fidel Castro

Barry Goldwater

John F. Kennedy

Former corporate whiz kid Robert McNamara was the controversial Secretary of Defense in the Kennedy and Johnson administrations, during the height of the Vietnam War. Augmented by archival footage and cabinet conversation recordings, Errol Morris gives the conflicted McNamara a platform on which he attempts to confront his and the U.S. government's actions in Southeast Asia in light of the horrors of modern warfare, the end of ideology and the punitive judgment of history.

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

‘VIGO 1972’ narrates the events which took place in Vigo in September 1972, when the firing of five Citröen auto workers resulted in the largest general strike in the history of Galicia — with over thirty thousand workers — all of this during the Franco dictatorship in Spain.

Amateur's Riot (Shirōto no ran) is a Japanese association of activists, committed to the living conditions of the poor people (binbōnin) in Tōkyō. The association was founded in 2005 by Matsumoto Hajime, Yamashita Hikaru, Futatsugi Shin, Mochitsuki Rui and Ogasawara Keita. The protagonists of Shiroto no Ran played an important role in the anti-nuclear demonstrations that appeared in response to the Fukushima nuclear catastrophe.

Based on the real life story, the director turned his camera towards the real world of Âşık Veysel, the great poet who wandered around the Anatolian villages.

A look at the work, life and eventual death of singer-songwriter Chris Whitley, whose many albums (on both major and indy labels) received universally good reviews, earning him a fan base among top tier musicians and journalists; though never bringing sustained mainstream success.

Debunking the mythology surrounding the 16th century French prophet, Nostradamus.

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time,  the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.