Josué García

Alejandro Ibarra

Mauricio García

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

A sunflower returns the love and care that its owner gives it.

After the farewell of her only friend in the village, Rosa closes in on herself writing poems in the woods. One day she realizes that her verses transform the environment, ending up materializing in real life. Rosa will make use of this chance to see her deepest desires come true.

A young artist is caught in a physical and mental battle against a supernatural entity that forces him to free it from its dark prison, ¿or is it just his imagination?

Manolo has decided to end his life and needs assistance. He has convinced Esmeralda, the caretaker of his hacienda, under the promise of leaving her the resources she needs to go live with her daughter and granddaughter in Baltimore. She only has one condition. She will not do anything unless Father Pablo vows to hear her confession after the act. Pablo decides to stay in the hacienda indefinitely, to impede them from doing anything. But he hardly does anything himself - and his time with Esmeralda will make him confront with his sense of goodness, and to check his pride and dogma, and the love he never found for his father.

In an apocalyptic setting, the Matriarch’s family debates Cami’s rebellious behavior, when the deserter Eva returns home.