Big Rig (2008) is a documentary film by Doug Pray about long-haul truck drivers. The film consists of a series of interviews with different drivers, focusing on both their personal life stories and also the life and culture of truck drivers in the United States.

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

Kukutza III was a gaztetxe (self-managed social centre) in the neighbourhood of Rekalde, Bilbao. It was occupied in 1998, and it was evicted by the police in 2011. The documentary shows some activities that were hosted by the gaztetxe.

Many people may see shipping containers as simple components in a vast global economic and supply chain system, but LOT-EK, a renowned architectural studio, has reimagined these industrial bins to have many purposes. Over the past three decades, LOT-EK has envisioned alternative uses for containers and other discarded materials from our industrialized economy, transforming them into unique architectural and artistic spaces.

People have always wanted to reach the horizon and go beyond it. It wasn't and isn't just about discovering for the sake of discovering. Exotic goods, wealth and power were the driving forces of these people. The steamship ultimately brought the breakthrough for global mobility and trade. In the past, as now, shipping is the engine of globalization.

Trailer Boys follows the journey of Muhammad Irfan Rafieh, a key member of Abam2 Trailer Singapura, which is a community of heavy vehicle drivers from Singapore. Truck drivers are mostly seen as uneducated and unskilled compared to the rest of society, especially in fast-paced competitive Singapore. This film explores how young truck drivers in Singapore such as Irfan find ways to break stereotypes and improve how society perceives them through their day to day work and their trailer club.