Into a starry sky full of coloured spots! The propellers have been revved up. Accompanied by the drone and roar of the engine, the aircraft takes off. Its mission, to be followed live: compare images, sort out, superimpose, create a visual reality of dots and pixels. A park is requested, but with how many trees? A racy car is dreamt of, but which design is sleek enough? The variables dictated by the pilot determine what appears on the monitor – sculptures of possibilities or morphed set pieces. The tank is filled with millions of continuously flowing images for an infinite number of combinations. But who controls the projected flight path?

The Sealab project, launched in 1969 off the shore of northern California, was the brainchild of a country doctor turned naval pioneer who dreamed of pushing the limits of ocean exploration like NASA did space exploration. The massive, 300-ton tubular structure was a pressurized underwater habitat, complete with science labs and living quarters for divers who would live and work there on the ocean floor for days or even months at a time. During the height of the Space Race, this daring program also tested the limits of human endurance and revolutionized the way humans explore the ocean.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

The encounter of a wound, a body and a city results in the alteration of the whole.

The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.

A strange night in a small town, illuminated by the town's lighthouse.

Short experimental computer animation by Jules Engel

This is an installation documentary created in 2015. The quiet process of making boxes indoors reflects the author's patience and caution, the narration when the screen is black reflects the author's familiarity and confidence in what he wants to express, and the dodging perspective and trembling picture when facing the crowd outdoors reflect the photographer's cramped and alienated. A lot of things happened after 2015, and the film was re-edited. The current version has almost used the best materials of that year.

Yee-ha! Strawberry and her friends are in for some of the berry best fun in the west! Strawberry and Angel Cake take jobs at Berry Prairie Dude Ranch and turn out to be excellent little cowgirls! But when the two friends must compete to become "Best Ranch Hand," they lose sight of their responsibilities - and their horseback riding trail! Will they realize that being careful and listening to direction is more important than winning? More challenges gallop in when Purple Pie Man tries to put Carmel Corn's farm out of business so he can replace it with an amusement park - PieManLand! Hoping to help out, Strawberry and her pals put on a good old-fashioned country fair to earn enough money to keep their berry favorite farm in business.