Documentary that tells the chronology of the current coup in the Central American republic, the massive resistance in the streets against the repression from the airport to the journey through the jungle on the border with Nicaragua, leaving an open ending that will be defined with the fight of an entire town in the streets.

Tehran, Iran, August 19, 1953. A group of Iranian conspirators who, with the approval of the deposed tyrant Mohammad Reza Pahlavi, have conspired with agents of the British MI6 and the US CIA, manage to put an end to the democratic government led by Mohammad Mosaddegh, a dramatic event that will begin the tragic era of coups d'état that, orchestrated by the CIA, will take place, over the following decades, in dozens of countries around the world.

In the Honduran coup of June 28, 2009, where the Constitutional President was kidnapped, a popular movement was born without precedent because of its national character. The students, members of the popular resistance, explain their reasons and their vision in the middle of this conflict that received continental uproar. Filmed in August 2009 while the president is still in involuntary exile. Filmed days after the coup, this documentary shows impressions, opinions and positions of the Central American people in their struggle for democracy and the restitution of the Constitutional President José Manuel Zelaya. In the voice of the students and other Honduran protagonists.

Honduran immigrants living in Mexico, teenage siblings Rocío and Ale must take over care of their two younger siblings after their mother is sentenced to prison on dubious grounds. Tensions grow between the pair as the decision must be made on whether to stay together in Mexico or split the family up to cross into the US to work.

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

In a fascinating geopolitical drama, Danish filmmaker Mik-Meyer closely follows Ravalomanana as he attempts to return from exile in South Africa to Madagascar, under the threat of arrest and bodily harm.

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.