Looking back at the history of the struggle for true equality, we follow the daughters and sons of immigrant workers who have been nominated as candidates representing "diversity" in various election campaigns since the 2007 presidential election. On the ground, through meetings, debates, and more "intimate" encounters with candidates and actors from past struggles, a great diversity of thought emerges. But they all have the same goal: not to be just "candidates for Beurs." With many activists from working-class neighborhoods, from Clichy-sous-Bois to Marseille, via Roubaix, and candidates Mouloud Aounit, Kamel Hamza, Faouzi Lamdaoui, Halima Boumedienne, Omar Slaouti, Samia Ghali, Karim Zeribi, Rama Yade, and others... Will these "new faces" of the Republic be in the picture when the votes are counted, or will they simply be "candidates for the Beurs"?

Jan Smuts is a foremost political figure in South African 20th Century History, and is recognised today by two of the world's leading historians as being at the very centre of the vision for a new world order that emerges from the League of Nations and the United Nations..  Yet, he is virtually persona non grata in his own country.... and largely ignored in school history books. This one hour drama-documentary, with its dramatised cameo scenes in which his look-alike grandson takes on the role of Jan Smuts, battle re-enactments, historical archival footage, comments from historians, political analysts, and South African political struggle heroes, looks back on his life and the circumstances that shaped it in search of some answers.

William Hart McNichols is a world renowned artist, heralded by Time magazine as "among the most famous creators of Christian iconic images in the world". As a young Catholic priest from 1983-1990 he was immersed in a life-altering journey working as a chaplain at St. Vincent's AIDS hospice in New York city. It was during this time that he became an early pioneer for LGBT rights within the Catholic church. "The Boy Who Found Gold" is a cinematic journey into the art and spirit of William Hart McNichols. The film follows his colorful life as he crosses paths with presidents, popes, martyrs, and parishioners, finding an insightful lesson with each encounter. McNichols' message as a priest, artist and man speaks to the most powerful element of the human spirit: Mercy.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

An experimental and iconoclastic journey through the Spanish Holy Week in the late sixties.