Tony Silver

Sam Pollard

Victor Kanefsky

Mary Alfieri

Henry Chalfant

In the summer of ’83 a camera crew visited Valkhn Films, an editing house where Style Wars was being painstakingly spliced together. This 25 min piece is a rare glimpse at the process of telling a real story as it’s happening.

Filmed mostly on a Mini DV camera Gavin has thought of a quick way to become successful and be the master of the world but he has to wait for it all to fall into place… he has to wait for the postman to start production documenting the process of being master of the world.

Roundtable discussion of the films of Quentin Tarantino with four film critics.

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

Haunted by three unfinished films, a filmmaker seeks to demystify his relationship with failure through encounters with past collaborators.

When Arthur Freed brought Alan Jay Lerner to Hollywood to compose a new Fred Astaire musical (based on Fred's life,) little did he know he would have to recast it's leading lady not once, but twice.

Amazing, but true: Fort Lee, New Jersey (just across the George Washington Bridge from Manhattan), was once the epicenter of American film production. This documentary of a truly bygone era combines photographs culled from private collections, as well as restored footage from such films as Thomas A. Edison's Rescued from an Eagle's Nest and D.W. Griffith's The New York Hat, filmed at the studios in Fort Lee.

Creator of absolute freedom, David Lynch constructed his work as an enigma to be deciphered between dream and reality. A cult director from his first films ("Eraserhead", "Elephant Man", "Blue Velvet"), Lynch forever changed the world of television with his series "Twin Peaks", before tackling the lies of Hollywood in "Mulholland Drive". Tracing the life of the most influential filmmaker of his generation, this documentary explores the hidden meaning of a relentlessly consistent filmography and delves beneath the dark, teeming surface of the American Dream.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.