Waves crashing against the rocks, a journey to the beaches of El Tabo (Chile).

Seven-year-old Chloé imitates her big brother Théo doing tai chi on a snowy plain. A group of starlings are watching.

Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.

The turkish ambassador is said to visit a village in Hungary.

Nille Kjellberg left Stockholm and his career behind in the early 90s. In the Sörmland archipelago, among deers and Icelandic horses, he found a different way of life. In harmony with nature and the changes of the seasons. Without thoughts of status or what others will say. In the summer, his now 94-year-old mother helps with the tour rides. In the winter - then Nille lives alone on his deserted island.

A solitary Frenchman seeks inspiration in a ruined duchy, meeting eccentric figures with their visions of art, madness, and myth. During 15 minutes he wanders across the broken edges of reality and sanity, he questions what form inspiration can still take among fragments of ruins and environment, as the viewer steps into his eyes and ears, discovering beauty within decay.

A man is trapped in a flat and tries to get out.

The guests are just like us: people who carry the burden of existing. Throughout nine episodes, partners (couples, friends, relatives) will sit next to the show's host to resolve the differences between them. But, could the debates be so critical and existential as to be real? Or will they merely be ideas that the audience could not conceive in their lives?