Virginia Norden

Florence Natol

William Dangman

Lucille Crane

George O'Donnell

Wealthy widower Jonathan and Hannah Tubbs have been engaged for the past 20 years but Jonathan continues to stall. When the Widow Smiles tries to entrap him into matrimony Hannah threatens to sue him for breach of promise. Before Jonathan skips town young Freddy, who loves Jonathan’s daughter Sallie, extracts a promise that if he gets him out of his tangle Freddy can marry her. Freddy’s methods are a bit devious, but he wins Sallie’s hand.

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

The lovely and wealthy Gladys Barnes is pursued by many young men though she favors the persistent Earle. Her head is turned when her father tells her a foreign Count has written with the request to marry her. An amateur artist Gladys paints a portrait of the Count from a photo but the young men at the studio first tease her and then decide to play a joke on her and her father. Sending a telegram that he is arriving early they all dress as different versions of the Count and comic complications ensue until Gladys realizes her folly and returns to Earle.

Happy O'Brien, called "The Microbe," or "Mike" for short, a female street urchin who sells newspapers dressed as a boy to avoid harassment, is saved from arrest for fighting other newsboys in Chinatown by wealthy author DeWitt Spense. DeWitt, there to purchase drugs, is so moved by Mike's pugnacity, that he takes her to his mansion for literary inspiration. When DeWitt learns that Mike is a girl, he resolves to educate her. As Mike blossoms, DeWitt's attentions turn to love, to the dismay of Judith Winthrope, who wants to marry him, and his friend Robert Breton, who, with Judith, convinces Mike that DeWitt's writing is suffering because of her.

A young man's journey into adulthood, love, and ambition, inspired by a serial by George Randolph Chester exploring themes of love, ambition, and self-discovery, set against the backdrop of the Roaring Twenties.

A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan leader is slain and a man chokes his wife to death), while Virginia censors complained the film’s references to miscegenation would "prove offensive to Southern ladies". In at least one state the film was banned for its title alone  No print of the film is known to exist and it is presumed to be a lost film.

A poor but honest sheet-music salesman is parted from his wealthy fiancée when she mistakenly comes to believe he’s nothing but a gold digger. But circumstance places him on the board of an exclusive girls’ school, where he can prove his integrity as well as his love. This film is believed lost.