Every year, on Easter, the church inevitably encounters an endless stream of believers, many of whom come here only once a year - on this day. What do they expect from this holiday? What are they hoping for? What are they searching for?

The film focuses on the development of absolutism in the Duchy of Wolfenbüttel under Duke Anton Ulrich, as preserved in pictorial documents and architectural monuments. In addition to the ideas of French absolutism, the court and government as well as the financing of the expenditure through taxes and duties, which placed an extraordinary burden on the people, are shown in detail.

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.

A man with a walking stick and a large black hat is walking along a narrow path in a garden or park. A large Great Dane is running around him. The hat largely obscures his face, which is only visible for a brief moment. It is possible that this is Otto von Bismarck and his Great Dane, the imperial bitch Rebecca "Beckchen." Since the bitch died in 1897, the photograph must have been taken in 1896 or 1897.