Herbie Hancock

When is a laundromat more than a laundromat? How about when it's a bar? Or a venue for the best underground hardcore music in the city? Or when it's a home for a group of outsiders who are proud to not fit in. How about when it's all of that and more? Dirty Dungarees is the unexpected hub of the hardcore scene in Columbus, Ohio, cultivating a community unlike anything else in the city.

Pull back the curtain on the remarkable history of six decades of James Bond music,  from Sean Connery’s Dr No through to Daniel Craig’s final outing in No Time to Die.

Andrew Ridgeley, Pepsi DeMacque and Shirlie Kemp present a selection of Wham!'s biggest and best performances from the BBC archives, including hits like `Last Christmas' and `Young Guns Go for It'.

A look at the work, life and eventual death of singer-songwriter Chris Whitley, whose many albums (on both major and indy labels) received universally good reviews, earning him a fan base among top tier musicians and journalists; though never bringing sustained mainstream success.

Dither: The D.I.Y. Sound is not your conventional punk rock documentary. In this documentary we explore the ideologies created by cornerstones of the early punk community such as Ian Mackaye of Minor Threat, Fugazi and Dischord Records. But beyond that, we explore the communities and people that have adopted these ideologies and created their own version of what it means to be D.I.Y. This is not a documentary about just music, it's a documentary about the communities that surround the music and embrace it as a way of identification and brotherhood. But this documentary doesn't just ask questions about the culture, it asks questions about how it's possible to maintain a culture that is, at it's core, so opposite of the modern economic and social system.

A documentary about the Synthwave scene, nostalgia and the universe of creating sounds. A love letter to human fascination and the collective memories of a universe, that never existed.

A look back at the violent conflict between the two leading figures of musical modernity, Arnold Schönberg and Igor Stravinsky, in the first decades of the 20th century. Although Arnold Schönberg and Igor Stravinsky both had a decisive influence on the fourth art, their creations remained diametrically opposed. While the Austrian developed the dodecaphonic method, placing the twelve notes of the chromatic scale at the heart of the composition technique to the detriment of tonality, his Russian rival based his practice on stylistic eclecticism. Their supporters formed two opposing camps, and the two composers - one the father of the Second Viennese School, the other of Neoclassicism - became, in the wake of their successes, the figureheads of a conflict that marked the history of music by its duration and intensity.