Omar Torrijos

Héctor López

Adolfo Ahumada

Camilo Caballero

Víctor Manuel Franceschi

Documentary on the Panamanian struggle for the rescue of the lands of the so-called Canal Zone, militarily occupied by the forces of the American army.

Afro-Antillean workers hired for the construction of the Panama Canal are brought from their homes to work in conditions that were not those promised. They, the descendants of African slaves and domesticated from England, manage to raise their voices against American injustices.

Based on a poem and archive images, the military aggression of the US army stationed in the Canal Zone against the Panamanian people who demand to raise their flag in the territory occupied since the beginning of the 20th century is reconstructed and denounced. The aggression that occurred between January 9 and 11, 1964 left a balance of 21 patriots.

In March 1973, the United Nations Security Council met in Panama City to debate the Panamanian claim for a new treaty that would end the colonial presence of the United States in its territory. The majority of the participating states of the Council recognize the justice of Panama's cause and give it their support, but the United States vetoes the resolution.

An ironic portrayal of the days of the U.S. blockade of Panama, set during the dictatorship of Manuel Antonio Noriega, just months before the country was invaded by U.S. troops.

Two friends who worked in the vinyl record shop Panamá Radio remember the post-II World War days when they entered the working scene of the city, the music of the times and all the artists that visited the shop.

In Portobelo, two friends go to a Congo dance and witness an invasion of demons, while Panama is invaded by Americans troops in 1989: this turns into an account of what happened in the cities of Colón and Panamá.

This winner of the 1993 Academy Award for Best Documentary Feature details the case that the 1989 invasion of Panama by the US was motivated not by the need to protect American soldiers, restore democracy or even capture Noriega. It was to force Panama to submit the will of the United States after Noriega had exhausted his usefulness.

Music producer Professor Angel Dust and his wife Kene are arrested at Panama airport on their way back to Barcelona. Their daughter is taken into custody by the local social services. Angel's brother Mauricio is in shock. Forced to park his life in Spain, he flies to Panama to take custody of his niece, find a lawyer and seek protection for his brother in prison. After two months, he succeeds in bringing his niece back home, but has to fly back to Panama for the trial of his brother and sister-in-law... His journey will become a contemporary 'odyssey' full of overwhelming encounters with characters whose philosophy of life and daily routines illustrate some of the human paradoxes to their very limits.