James Cousar

Tom Rolapp

John Fox

Paul Simms

Brad Trumbull

This somewhat bizarre film about Emergency Medical Technicians or EMTs was produced and distributed by Film Commutators in Hollywood, California. The film dates to a time when ambulance crews were being replaced by paramedics / EMTs, who had sufficient training to make medical decisions and give on-scene care. The film makes a strong argument to decision makers in favor of upgrading from mere ambulance drivers to EMTs.

It’s been a long time since the incident. They realize that some of remnants of the past do not die out so easily. Two brothers head to the place where it all began.

When Covid-19 hit New York City in 2020, filmmaker Matthew Heineman gained unique access to one of New York’s hardest-hit hospital systems. The resulting film focuses on the doctors, nurses, and patients on the frontlines during the “first wave” from March to June 2020. Their distinct storylines each serve as a microcosm to understand how the city persevered through the worst pandemic in a century

Poignant postwar appeal for Britain’s Jewry to support orphaned Jewish children rescued from Europe.

An exclusive interview with Death as he goes about his everyday business.

From heart-stopping close shaves and averted disasters to incredible brushes with danger, this show counts up from 1 to 101 to feature some of the most unbelievable near misses of all time.

This film continues along the same lines as F.O.D. 1 with short scenes of material related to death. Mortuaries, accidents, police work are filmed by television equipment and domestic video cameras.

The 3rd installment in James A. Burkhalter's QUEER ROOTS trilogy: After years of his mother begging him to do it, James decides to finally review and erase 10 years' worth of phone messages. It tells the story of James' "roaring twenties," constructed solely through the voices of friends, family, and lovers.