2003 documentary film produced by Oliver Stone for the HBO series America Undercover about the conflict in occupied Palestine. He speaks with Ehud Barak and Benjamin Netanyahu, former prime ministers of Israel, Yasser Arafat, late president of the Palestinian National Authority, and various Palestinian activists resisting the oppression of the zionist regime.

Twelve Palestinian women sit before us and talk of their life before the Diaspora, of their memories, of their lives and of their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery.  Twelve resilient, determined and articulate women from disparate walks of life: lawyers, artists, housewives, activists, architects, and politicians stitch together the story of their homeland, of their dispossession, and of their unwavering determination that justice will prevail.  Through their stories, the individual weaves into the collective, yet remaining distinctly personal.  Twelve women, twelve life-spans, and stories from Palestine; a land whose position was fixed on the map of the world, but is now embroidered on its face.

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.

When two young American Jews raised to unconditionally love Israel witness the mistreatment of Palestinians, they battle the old guard to create a new movement opposing Israel’s occupation, and recentering Judaism itself.

While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.

A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.

A film documenting the story of the Israeli refusnik-movement and interviews some of its protagonists.  This timely documentary interweaves the stories of six soldiers who, after years of loyal reserve duty and annual active combat, find they can no longer countenance serving in the occupied territories of the West Bank and Gaza Strip. They become "refusniks" - an action that puts them at odds with deeply held national values and has devastating consequences in their own lives. In the film, six of the signers of the original "Combatants’ Letter" reveal the untenable combat experiences that led to their decision, the public outcry it provoked and the price they continue to pay for refusing to serve - including isolation, family ostracism and imprisonment.  Winner, Ecumenical Jury Prize, Berlin Film Festival

Gaza Ghetto: Portrait of a Family, 1948 – 1984 is a documentary film about the life of a Palestinian family living in the Jabalia refugee camp.  The film, created by Joan Mandell, Pea Holmquist, and Pierre Bjorklund in 1984 is believed to be the first documentary ever made in Gaza. The film features Ariel Sharon, Binyamin Ben-Eliezer and soldiers on patrol "candidly discuss[ing] their responsibilities."  The film follows a refugee family from the Gaza Strip who visit the site of their former village, now a Jewish town in Israel. As the grandfather and great-grandfather point out an orchard and sycamore fig that belonged to Muhammed Ayyub and Uncle Khalil, an Israeli resident appears and tells them to leave, claiming they need a permit to be there. The mother tells him that, "We work in Jaffa and Tel Aviv and that's not forbidden," to which he replies, "Here it's forbidden."