Three opening sequences for Arte’s animation magazine: Animag, featuring a series of distorted, quivering and mirrored human figures.

Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.

Cosmos of paint unleash a storm of color.

Someone stuck inside a shell struggling to find a safe space.

The motif in this animation is the memories of my dog which lived 17 years.

An attempt at “total art” performed during the 2020 lockdown.

An intimate animated portrait of one individual's journey through anxiety and isolation, unfolding into a quiet, hard-earned sense of self-acceptance.

Referencing the Nazi regime's methodical restriction of jazz through their "10 Rules for Dance Bands," this film demonstrates progressively censored variations of "Minnie the Moocher."