Going, returning; the anticipation of interruption.

Experimental Colombian short documentary on the treatment of livestock.

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

A tactile exploration of the inherent duality of violence and sensuality in nature.

A chauvinistic young man pays a visit to a new nightclub named "Salem's Flames", unaware that he is about to meet his comeuppance at the hands of a coven of witches.

a life size stop motion child puppet races through memories and daydreams reflecting on the cyclical nature of life.

Washed ashore and taken in to a gothic manor by an unseen masculine force, a lost girl dances in gratitude before him until one day she says no and begins to suspect she might not be the first person to be brought here.

This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugoslav cinema. It extends his interest in regional identities, minorities, and the visual traces left by different cultures on Yugoslav territory. The film offers a journey through examples of architecture, decor, and objects related to Islamic tradition in the former Yugoslavia, such as mosques, ornamental elements, and calligraphy. It explores how this art is embedded in the region's history and in the daily lives of the communities that produced it. It is an observational film, without a dramatic plot, functioning primarily as a "visual essay" on the material culture of Islam in a Balkan context. The tone is analytical and contemplative, closer to a cultural study or a poetic inventory.