Guilherme Maciel

Carol França

Madu Moreira

Ebenezer Cascaes

Bobby Deerfield, a famous American race car driver on the European circuit, falls in love with the enigmatic Lillian Morelli, who is terminally ill.

A short film about a seance in Qajar- era of Persia. The Ouija session goes wrong because of the psychic's mistake and triggers a humorous disaster.

Cloe, Yasmin, Jade, Sasha, and Meygan are invited to the new girl in the neighborhood's sleepover. But no sleepover is complete without staying up late telling scary stories.

The evil Eastern magician Ali Booboo feeds an ensorcelled apple to Nightmare, turning her into his slave. Casper and Wendy must pursue Booboo to his castle in the clouds to rescue their friend.

The story of corrupt, power-hungry, manipulative Grigori Rasputin's influence on members of the Russian Imperial family and others, and what resulted.

By the early 1900s, the extraordinary Houdini earned an international reputation for his theatrical tricks and daring feats of extrication from shackles, ropes, handcuffs and... Scotland Yard's jails.

The story of a family of Quakers in Indiana in 1862. Their religious sect is strongly opposed to violence and war. It's not easy for them to meet the rules of their religion in everyday life but when Southern troops pass the area they are in real trouble. Should they fight, despite their peaceful attitude?

Live performance, Bayerische Staatsoper, 2011.  The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines  three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.