Miriam Colon

Part of a series of films produced by Vme TV that features aerial videography shot from a helicopter of points of interest. This film in particular features points of interest in Puerto Rico.

Climb aboard the illustrious Bernina Express for a festive ride through spectacular Alpine landscapes, taking in snow-covered peaks, architectural wonders, and majestic glaciers.

Revolcadero Beach in Acapulco, Guerrero, is one of the areas most affected by Hurricane Otis. Residents struggle daily with the effects of climate change to maintain their main source of income: providing tourist services.

This one-off TV special follows the exploits of camp comic Graham Norton on a visit to Tokyo. Staying with a Japanese family, he explores the city's seedy side, visits the home of a famous Japanese make-up artist, and has an embarrassing experience with an electronic toilet/bidet.

A 1940 Columbia Picture feature film, "I Married Adventure" stars Osa Johnson and closely follows her 1940 best-selling book of the same name. Osa portrays herself in studio-produced scenes which bridge the transition between actual documentary footage segments as the film recounts the Johnson's nine world expeditions to Africa, Borneo, and the South Seas. Jim Bannon, a Hollywod stuntman who lent his voice to many western's including Red Ryder, Don Clark, and Albert Duffy narrate this adventure classic that compiles the very best images from the Johnsons' original feature films.

The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.