Jury Quỳnh Lâm

Ngô Phương Thảo

Hoàng Trần Minh Đức

Quang Tuấn

Ngô Nhan Đức Huy

While her mother is expecting their second child, young Thi befriends Ngoc, a club waitress who has just moved in as a tenant in their family home. As their friendship grows, she discovers that Ngoc is secretly a sex worker. Meanwhile, an art book of Tamara de Lempicka’s female nudes, stolen from a bookshop, silently bears witness.

A young toymaker tries to make sense of the impermanence of life that he has been forced to acknowledge through experiences of separation and death.

A young boy’s life is changed forever when his mother introduces him to the magic of her origami animals, which she brings to life with a breath. As he grows up and drifts away from his heritage, the paper menagerie remains a silent testament to a mother’s love and the cultural bond he struggles to accept.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

February 1927: Félix Leclerc's last year with his family before attending a private college in the fall. Accompanied by Fidor, his faithful friend, he will face adversity, love, death, and will embark on the path of adulthood.

The story Peter is telling the about a special summer, when he is invited over to summer holiday from bickering parents, to his aunt and uncle in the country. He's been there before, but this summer was quite one to remember.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

End of High School, Beginning of Summer. A group of friends spend most of their time together, but little do they know that each and everyone of them has set their mind on pursuing one goal, the goal of every teenager : doing it for the first time. And sometimes the line between friendship, love and desire is really thin especially when you’re 15.

When her father enlists to fight for the British in WWI, young Sara Crewe goes to New York to attend the same boarding school her late mother attended. She soon clashes with the severe headmistress, Miss Minchin, who attempts to stifle Sara's creativity and sense of self-worth.