Amiel Williams

Lance Williams

Using archival iPhone footage of both the places my father and I call home and our childhood photos, this work collages time and space, traveling from 1975 to 2022 and from Havana, Cuba to Pittsburgh, Pennsylvania and in between. His home is my home, and my home is his.

Offers audiences a unique window into a bygone era when a thrilling new invention, the motion picture camera, first captures a nation on film.

Experimental Colombian short documentary on the treatment of livestock.

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

A tactile exploration of the inherent duality of violence and sensuality in nature.

This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugoslav cinema. It extends his interest in regional identities, minorities, and the visual traces left by different cultures on Yugoslav territory. The film offers a journey through examples of architecture, decor, and objects related to Islamic tradition in the former Yugoslavia, such as mosques, ornamental elements, and calligraphy. It explores how this art is embedded in the region's history and in the daily lives of the communities that produced it. It is an observational film, without a dramatic plot, functioning primarily as a "visual essay" on the material culture of Islam in a Balkan context. The tone is analytical and contemplative, closer to a cultural study or a poetic inventory.

Going, returning; the anticipation of interruption.

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.